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AFTER BATTLE, THE CHILDREN OF VEGLIONCINO

After the parade, arrive for the Carnival of the Municipality of Pordenone, the veglioncino for children. Shrove Tuesday, March 8, in fact, Piazza XX Settembre is transformed into a large playroom, where children and families can play in mask dancing in the entire square at their disposal. Starting from 14.30 Julia begin the creative workshop of the Arctic, which teaches how to make home games materiae of recovery or recycling, and even the animations by the Oratory Don Bosco, with lots of good games to play together. Also can not love the beloved bouncy castle, a waterfall and crostoli confetti.
the evening, at 20.45, the Teatro Comunale Giuseppe Verdi, will host a true gem: the world premiere staged by the Group Theatre Pordenone "Luciano Rocco" and the association Puntoeacapo and "The Old Corbella" a eighteenth-century comedy in three acts of Pordenone Spelladi nobleman, precious testimony of the languages \u200b\u200bin use at the time in Pordenone: Friuli to the people in the country but also in the city, the Venetian for the upper classes, nobles and bourgeois. A true fresco not only a sensitive period of language processing, linked to socio-political events but also the daily life of the city in 1700, with its uses and customs. "The misunderstanding or die for both the old Corbella" patriotic comedy in the vernacular Pordenone was published in 1972 by the Friulian Philological Society, at the initiative of Maurice Lucchetta, published written by Joseph Spelladi Pordenone nobleman in the second half of the 700, because of the uniqueness the text, which is a unique example of a comedy play written by a Pordenone, that live in cities and in the parlance of the time of Pordenone, in which we find words and phrases still in use alongside other completely disappeared in the current lexicon. Many studies have been done on the comedy (such as the recent publication edited by Prof. Sartor-Ceciliot for ProPordenone) precisely because of its philological-linguistic meanings, but also historical: there are in fact cited physical locations (the door of Bossini, the Contrada Maggiore) and described in detail, the social structure, economic and cultural city, abundant references to the river trade, the relationship between nobles, merchants and farmers, customs and habits "party animals". The whole contained in a plot "Goldoni", typical of the shows that were normally represented in the circles of the aristocracy town at the time, certainly influenced by the Venetian culture, which were prominent representatives of the brothers Carlo Gozzi Gasparo and staying for long periods in the nearby villa Visinale of Pasiano. In the 1972 publication of the padlock is hoped that some amateur troupe allestisse the show, as did the nobles of that time who gathered under the loggia of the Hall. Unfortunately, that desirable, despite several attempts, so far had no result.
Today, thanks to the experience gained in over thirty years of business, the Group Theatre Pordenone Luciano Rocco, in collaboration with the Theatre Company and ... to Cape Point, directed by Ferruccio Merisi, costumes and sets from an idea by Giulio De Vita (whose sketches are on display in the foyer of the theater) wanted to pick up the thread of the interrupted speech and to live up to that obligation contract with the past. Admission is free.